Martin Vaughn-James, The Cage; 1975. Like many graphic novels that were published before the term even existed, such as Miné Okubo’s Citizen 13660, Martin Vaughn-James has created a work that is more akin to a picture book than a comic book. By this I mean that neither Okubo nor Vaughn-James uses multiple panels on a page and both set the text separately …
I first read this book as a scanlation, but Last Gasp has published an official translation. If you know nothing about this book, a quick glance at the cover might be misleading. The soft pastels and open lines may give you the idea that this is a book about the tender and quiet sides of life. This isn’t entirely incorrect, …
Upgrade Soul By Ezra Claytan Daniels The common belief about Frankenstein is that it is a monster story. The focus is on the Creature’s hideousness. This is ironic given the central heart of the novel in which the Creature makes it clear that he wanted to be a benefit to humanity but was denied that option because people looked on …
As is traditional these days, here is an end-of-the-year list. These are not necessarily comics and graphic novels published this year, though many of them were, but a list of what I read in the past twelve months. This is, as it must be, a partial list. I am sure I read things this year that I am forgetting. And …
I bought a Playstation 2 because of Ico. It proved to be a good choice; I absolutely loved that game. It reminded me of dreams I used to have in which I wandered through strange architecture. And the relationship that develops between Ico and Yorda really captured my emotions. I’d never had a game that made me feel responsible for …
Arsène Schrauwen Olivier Schrauwen Arsène Schrauwen reminds me a bit of the work of Ben Katchor, with his blocky businessmen engaged in endeavors that seem just outside the real. The book also reminds me of Laurence Sterne’s Tristram Shandy, in the sense that expectation is often thwarted and any sense of narrative tension is drained by the inanity and passivity …
The subtitle of this book is more accurate than it’s main title; Miodrag examines what she sees as common assumptions and mistakes that comics critics make. She points to lack of precision, sloppy reasoning, and confirmation bias. While at times the arguments are a bit belabored and redundant, her book is a needed amendment to the patterns of a lot …
I love anthologies. I love seeing new work, being introduced to artists and approaches I have never seen before, and, of course, getting a solid read. Maybe it’s being placed next to other, different styles, but sometimes the best work an artist has done is a little story that appeared in some anthology. And yes, many anthologies suck. Or they …
Rodolphe Töpffer usually wins credit for being the first comics artist. He put multiple panels on a page and employed the new advancements in printing to get his work read. He may not have used word balloons, but most of the elements of contemporary comics started with him. What I didn’t know (and maybe you didn’t either) is that he …
I was lead to Bruno Schulz by the Brothers Quay. Their version of Street of Crocodiles is one of my favorites of their films. Now having read the source material, I can see a connection in the dream reality and empty city streets of both. But the Brothers Quay have a cruelty in their work that Schulz’s work lacks. In its place, Schulz …