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[panel 1- woman in car, surrounded by American flags flapping from aerials] It’s January 2002. I’m driving to the airport in a sea of American flags. It’s like I’m in a convoy of U.S. ambassadors, welcoming me to the country.
[panel 2- curved borders for memories. woman as girl on tree swing with grandmother- is she singing something?] My grandmother is dead. She was my last living relative. [separate text box] Except for my father, I guess.
[panel 3- same shot as above, but closer. The grandmother is singing a song about an apple tree] So I’m flying out to Iowa to arrange the funeral.
After the script was written, I started doing thumbnail sketches of the pages on ruled paper.
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Then I did a blue line and pencil of the first page.

But I hated that first page, so I replanned it and did it again. Notice how a bunch of words got dropped, too. This often happens. I tend to be overly verbose in my early drafts.

Then I added some more spot blacks and grays in Photoshop. Once the story was completed, I also decided to change the snowflake slightly.

(added September 9, 2007) After awhile, I decided (with the added encouragement of my wife) that the first three lines were too much. It seemed better to simplfy things. So:

Some artists say that planning takes the life out of creating comix. But I like planning. Yet I also allow things to change at every stage of the process. For example, I have found that some of the best ideas for how dialogue should flow come in when you are about to ink the page. The various stages above are a process of refinement. Though it's not as if I get closer to my original idea. I just get closer to an idea that works best on the page.
"my grandmother's funeral"
comix