Tag: defrost

The Year (and Decade) in Review

2019

The Lost Cause of Poetry came out.
The digital version came out in September.

“Lounger” was released on Tapas.
Then later I also released it on Webtoon.

 

Defrost on Tapas

Tony Ez Esmond wrote a review of “Defrost” on Never Iron Anything!

I went to both TCAF and VanCAF one weekend after the other.

 

I started to do Inktober this year, but then found it was too distracting.

 

Citizen 13660

I also taught Citizen 13660 again this year.

Then in December, Tom Spurgeon died.

– – –

For 2020, I’m hoping to finish “Lounger.” I have a lot of other stories in the planning stages, but the one I have most fleshed out is going to be called Callisto 7 and is an existentialist sci-fi fiasco. I feel like This Wasn’t the Plan went as far with personal, realistic fiction as I want to go for the time being. I really want to move in new directions and break my own restrictions about the kinds of stories I “should” and “shouldn’t” do. 

The Decade

Looking back on the past decade, the biggest thing was finishing Carnivale. The first printing came out in March of 2014. I started it in late 2005. I worked on it while being a new parent and a new college teacher. It was an act of faith. I serialized it on the old version of the nijomu website and got some feedback and some mentions on different sites. Yet when the book was done and printed there was almost no reaction. It was a blow. Getting rid of the old website was part of that reaction. I know that there all kinds of lessons about expectations and marketing that can be made, but from my initial perspective it was the biggest book I had ever made and it had taken years of my life. And I was excited about it. And that was met with silence. It took me some time to recover.

I decided that I should try to put my energies elsewhere. I have often mentioned that in high school and college I wrote poetry, only submitted work twice, and was published on the second try. So I thought to go back to that and try to get published in literary anthologies. That proved to be challenging. Most literary anthologies don’t accept comics and the ones that do often have strict requirements about format. And kind of like putting books on consignment, submitting to various anthologies required a lot of logistical work that took time away from actually creating comics. Still, I like some of the things that I created in that time. Those works can be found in The Lost Cause of Poetry.

Of course, there are also the three works that comprise This Wasn’t the Plan. I think that I’m still too close to them to have insight about what they mean yet. But I used the book to try a different publishing angle. I even got a nice review through Foreword Reviews and a blurb in The New York Review of Books. But none of that translated into sales.

Of course, all of this begs the question: maybe my work just sucks. Maybe my work’s lack of attention is just what my work deserves. I even considered sending my books out to successful comics artists and asking them: “does this suck?” Then I realized that it wouldn’t matter what they told me; at the end of the day I’d create comics anyway. On the one hand, the only way not to suck is to keep going and create something that is worthwhile. On the other hand, it is the act of creating and the satisfaction of completing comics that drive me.

So at the end of the decade I don’t feel that I know anything more than I did at the beginning. Though in some ways I feel better about the idea that what I care about is creating comics. Yes, I’d like those creations to communicate to more people, but it’s the act of creation that is most important to me. Comics is a practice. And I want to focus on the practice. The effects of that practice are a side benefit and my trying to force those effects seems to lead me only to frustration. So I guess I’ve just spent the last decade confirming my original stance. It’s only the work that matters.

The Three Endings of “Defrost”

I have these magazine files that I hold old pages in. Everything is organized chronologically and finished work is interspersed with unfinished ideas. I had a new idea for a story based on something I had thought of years ago, so I was looking through these magazine files earlier this week. That’s when I discovered something that I had completely forgotten about. My story “Defrost,” which is in This Wasn’t the Plan, went through two different endings before settling on the one it has now.

Here’s the first draft ending:

I liked that line “why can’t I be born?” but it also didn’t feel right for what I was trying to get across. It also seemed too much like a standard horror ending. I didn’t want Lucia to be simply afraid of what was coming out of her freezer (yes, I wanted fear, but other emotions as well).

So here’s the second draft:

The second version I scrapped because Lucia and the creature don’t interact. It’s too easily a dream sequence. I wanted something more ambiguous.

But I not only redid the ending for a third time, I redrew the entire story, changing the line work from single line strokes to a more sculptural approach. All the stories in This Wasn’t the Plan are inked this way.

Maybe forgetting I do stuff like this is how I am able to keep doing stuff like this.

update about my comics work

I haven’t been posting much new comics work. There are two reasons for that.

One, I’m working on smaller pieces that I’m submitting to different on-line and literary journals. Most places want previously unpublished work, so that means I can’t post them here or on my tumblr. But sometimes I have a work that doesn’t seem like a good fit anywhere, like “Art is a Lonely Business.” And that’s why I’m putting it up on-line.

Two, I’m trying out different publishing options and getting new printed books ready for the APE. My last printing of Holiday Funeral was done through Ingram Spark. I’m still seeing how the full process pans out, so I’m suspending judgment on it now. I’m also coloring “Sink” and working on an updated edition of Carnivale.

On a similar note, I’m trying new on-line options. That’s why I put “My Grandmother’s Funeral” up at Tapas and am serializing “Defrost” there now. So far, Tapas has been a really supportive community.

So that’s what’s going on. Basically, instead of working on one big thing, I’m sending my feelers out in lots of other little directions.

coloring page 22 of